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In the Pocket of Big Sad

by Mumbles

supported by
Mute Branches
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Mute Branches Brilliantly emotional journey with a sound all of its own that draws on the sugary chaos of Deerhoof, the ambient punk of Cryptograms-era Deerhunter, and all manner of other reference points that may or may not have "Deer" in their name. Highly recommended! Favorite track: Violence And Stupidity.
this is pop? dj
this is pop? dj thumbnail
this is pop? dj Mumbles remind me of lots of things, none of which I can quite put my finger on.
If you take one chance on an album today, then I kindly suggest you make it this one.
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    Mumbles debut album In the Pocket of Big Sad out on Divine Schism

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1.
How Do Happy 01:52
How do happy? I wanna write the kind of songs that make the queer kids Recognise themselves when they look in their parents’ mirror I wanna write the kind of songs that you could cry to When you’re overwhelmed in the supermarket Would that be a purpose? Would that be enough? In the pocket of big sad What would it mean for us to feel OK? Sword hangs above us as every ocean boils Alone in the gloam But what if we kissed? Haha just kidding …Unless? How do happy?
2.
JD Sports 03:46
Dust burns my bloodshot eyes They run as he starts to cry Goon squads with glowing minds He killed her in the street Mourning lost futures we’ll never get to see Momentary beauty between the wounds Are we all broken or are we just doomed? Is there a difference? I think there is Photos of me in drag, smiling Death cults say it has to be This way in a lake of fire I don’t wanna be a jerk, but the world is ending; Can you please talk about something beyond your ex-girlfriend? I only want the best for you and I know you need to hurt But in time the heart will heal, the blade scrapes the throat King of shame, queen of whatever Nostrum monarch, sleepwalking at desire’s altar I hold your hand, you touch my face The body disappears So, so briefly
3.
A style, a taste, an aesthetic, forget it! An empath, a healer, a glow, nah You said I must’ve hit my head I didn’t feel anything, my nose was bleeding A function, a product, a design, a desire On object, a healer, forget it! An empath, a lover a revealer, a desire A glow, redemption, nah So I got some tissue and I cleaned it up, that’s all – this story doesn’t go anywhere, I just had a nosebleed at a friend’s house, that’s it you know. I’m kind of sick of this self-obsessed white guy indie-emo thing where this kind of mundane shit you pretend’s got any symbolism, or greater important to other people’s lives, rather than just some fucking tedious self-involved nothing. Anyway, I guess I should play the rest of the bridge or whatever.
4.
Now that I’ve had time to think Burning thoughts seem so peculiar Preparing for migration years Space opens up, cautiously clear: I don’t want to die anymore And sometimes that terrifies me Lying half-awake in an unmade bed of the cosmos Mud and dirt in your hair In sickly room, confused Look to you for explanation Shameful guidance in midst Of pitiful convalescence, but you disagree: You don’t mind, “This is needed,” “The world can wait, learn just what you are” A mess but not one that moves with the ominous certainty of plants Roots unnoticed erupt from dirt, soil devoured in ecstatic reverie Bursting out of a bloody chamber, you are still so ashamed of yourself But after a terrifying fallow year, you just want to spend more time with your friends And I would never mind, this is what you need The world can wait, I’m proud of who you are Falling gently drunk onto your best friend’s bed The universe always wants whatever you want I love it when you tell me all about the things you like I care if you care
5.
With an intelligence, like networks of mushrooms I am learning how to breathe deeply Yoga With Adrienne, the everything just sprawls As always, I don’t know what to say Strange armour, a petal rosary I wish I knew how to cry Phil Elverum sings and David Berman’s dead What relief is found in ritual fires? Bodies of water wind: a vulgar gesture like When you say that it might be OK Strange armour, a petal rosary A blissful kingdom, all things forgotten Some days it’s hard but some days it’s just a painting I wish I knew how to cry Run and run, gold in the eye Blue on the lip, at piece for a while We say our goodnights, I start to cycle home Get hit by a car and break my teeth But beauty is a wound or just, there’s a kind of charm In carving out a person from their youth
6.
No dicks, no twats, only innies or outties No boys, no girls, only thems that yearn for death Tell me I’m worthless!
7.
Maybe if I just try hard enough, nothing bad will ever happen again I do not want to think, therefore I do not want to am Space is an imposition; I am just a new market ready to be plundered Time is a punishment, a flat circle we ride forever Cos the weather says it’s gonna be grey I don’t know what I want, I don’t know what we’re allowed Searching for a break in the sky Or even just some rain, any sign that things might change With violence and stupidity, sometimes in my dreams you hurt me I guess I just want a figurehead for things too big to see What use are parallel hells when our sentences never collide? At the dawn of everything, did you know the word for world is forest? Maybe nothing good will ever happen again But that’s not so crushing anymore Patience with the garden Our seeds will grow in time A winter is not an ending All will bloom again
8.
9.
In My Garden 01:39
In my garden I read books about planned economies In my garden I read books and think about personal space I lie down on the grass and watch the pendulum swing In my garden I am taken by old brutality In my garden I am transfixed by decrepit weaponry A little bit of violence still stains my skin A broken razor blade, always asking “is path warm?” But despite all this I know Someday we’ll be alright With care and gentle consideration We’ll feel safe to call this home In my garden I read books and wonder how you’ll cut your hair In my garden I read books and think about personal space I lie down on the grass and watch the pendulum swing I lie down on the grass and boys, boys keep swinging
10.
Spring has sprung on the hospital concourse Brown lines on my hand, an unread message Force numb fingers to click the link Cute little lamb just makes me feel needy In endless Year of the Jest, there are structures you can’t change But there’s always agency, power in knowing when to leave, when to stay Half dead, hopeless, I’m ready, I want you Burning minds, I’m ready, this time, I hope so No thoughts, no wants It’s cool No self, just love It’s cool, it’s really cool Summer sun burns the remains of empire Blank looks, paper faces, staring at phantom limb “If we didn’t know you, we’d be terrified” What can I do? It’s only me To be completely alone for a spell Cast upon sleepless architecture Sudden flash, success! By myself in the woods I move as if unseen, drone flies overhead End of century sale They call it a cycle So it just repeats But I see a stranger smile In evening air, there is a shift
11.
All the strange trees that rot in her mind She’s throwing up all of the time Is she going to be OK? I hate strangers looking at me Sometimes I wanna be a she Would that be OK? You kept tearing out my hair, I don’t know how much was planned Crying at work, holding my boss’s hand I know that I was complicit, I don’t know how much I wanted You said you hoped I’d die, I still think about it some of the time Is she gonna be OK? You know she’s been so ill
12.
Talking to plants I am stable For the first time in years there’s no possession in my head Outside a birdhouse, waiting for 3am Hysteria to come but until then I just enjoy the quiet Talking to plants I am fearful There’s nothing they won’t take, they even commodified recovery Were you hoping I could be more than just friends? Were you hoping we wouldn’t need so much time alone? [bad luck!] In gentle orchard, unravelling in soil Gauze covered heart, bursting through ribcage The sun begins to set, you start to breathe Feeling exists outside the body And I have no dream job, I do not dream of labour I dream of hiding in the tall grass, waiting for the thresher to come And in grey pool: I’m the best! The body reforms again and again Staring at the soil, miles to go Staring at the soil, miles to go Another way! [Summer’s bit] Focus on love! Staring at the soil, miles to go With nothing but a bag of cans And a crippling sense of shame But I don’t look in mirrors any more Full of tired smiles we buried the moon In an unmarked box at the bottom of your garden I still wear your old jacket you gave me most days Men always scream at me in the street, but I don’t mind Feeling gentle and glad to be alive I am scared but glad to be alive
13.
Stop To Be 00:38
I wanna hold your hand, and never breathe again Splayed out across the infinite, or maybe let’s just kiss Away from our disgusting bodies, away from the world below None of this means anything, but look how far I’ve come Cos you make me forget myself You make me stop to be

about

In the Pocket of Big Sad is out now (29/03/24)

Norman Records - "the much-anticipated debut album from Mancunian three-piece Mumbles. A glorious splatter of outre indie influences from Deerhoof to Super Furry Animals, it packs tracks as short as eighteen seconds to as long as nineteen minutes into a fifty-minute headf**k" (Staff picks)

Hard of Hearing Magazine - "one of the most powerful and unique albums you will listen to this year" (Lloyd Bolton)

hardofhearingmagazine.com/2024/03/27/mumbles-new-album-is-an-explosive-and-affirming-dose-of-musical-expressionism/

Louder Than War - "What the band have delivered here, as well as capturing the energy and abstract nature of their live sets is an occasionally challenging, sometimes confusing record, but one which will draw you back for multiple listens." (Iain Key)

Diving headfirst into the chaos of late-capitalist life, Mancunian power-trio Mumbles ask the small questions: How do we be good people at the end of the world? How do we even survive? What the fuck is actually going on? Inner worlds and systems too big to see overwhelm all the time, but friendship, community and the ecstatic joy lurking in the mundane can get us through.

Written after years of life-threatening/changing illness for frontperson Jacob Nicholas (they/them), ‘In the Pocket of Big Sad’ is a sprawling attempt to chart re-entering a declining world. Alongside drummer Oli Knight (he/him) and clarinettist Tristan O’Leary (he/him), Mumbles emerge as a shred-heavy, turbocharged unit, powering through the agony, the ecstasy, and the more agony of learning how to be a human being in all of this.

Incorporating elements of emo, noise rock, folk, ambient and free jazz, ‘In the Pocket of Big Sad’ defies easy categorisation, but is ultimately just double-time indie rock with ideas above its station. A bit like if Deerhoof were unhinged emos fronted by James Acaster, if Bill Orcutt inexplicably teamed up with Porridge Radio, or some insufferable collaboration between Sea Power and Xiu Xiu, all open-tuned guitars, major keys and bursts of noise. But also like none of those things, Mumbles are ultimately entirely their own. The record is joyous, desperate, intimate and widescreen, often at the same time. Augmenting the 400mph chaos of their live shows with maximalist arrangements, the album is covered in Tristan’s woodwinds, and frequently triple-figure layers of keys, strings, trumpets and percussion from Jacob and a host of collaborators, including Cambridge best friends Tape Runs Out. This sense of community, collaboration and commitment to placing Mumbles in the wider world is best shown by the raft of extra vocalists, perhaps most notably Toronto’s Porridge (he/she/they), who rocks up on four tracks to steal the show.

Opener ‘How Do Happy?’ is the album’s mission statement; a skronky, brassy burst of confusion and longing for connection. Ragers like ‘JD Sports’ and ‘This Lamb Wants Attention’ keep up the yearning, channelling heroes Deerhoof into noodling, labyrinthine structures. Meanwhile, more tender tracks like ‘Everything Just Sprawls’ and ‘Violence and Stupidity’ take a more traditional sonic turn, echoing inspirations like Girlpool and Beirut. The melancholy commitment to cardio and dissociation of ‘Sprawls’ is shattered by the optimism of the David Graeber and Urusla K Le Guin-referencing ‘Violence’. “A winter is not an ending, all will bloom again” – we may not know what a better world will look like, but it will come in time. All of this leads up to the set-ending one-two gut punch of ‘Skejbyparken 2, st.’ and ‘Talking to Plants’. The former obliquely explores the origins of illness and trauma in barely a minute, while the monolithic latter maps the rising and falling nature of recovery (and bags of cans in the park) over nineteen. Moving from pastoral indie to complete chaos, collapsing into free jazz ambience before climbing out again to an overwhelming climax, it’s an entire record in a song. The final blowout is pure catharsis, with Jacob’s repeated declaration that “I am scared, but glad to be alive” taken up by three friends over layers of fuzz and trumpets. A fanfare for living through this. A commitment to friends, to community, to healing ourselves and the world we inhabit.

Written, recorded and mixed agonisingly over almost four years by the band, and inexplicably mastered by Deerhoof’s Greg Saunier (he/him), ‘In the Pocket of Big Sad’ is the lushest, most mid frequency-heavy bedroom epic you’ll ever hear.

credits

released March 29, 2024

All songs written by Jacob Nicholas/Mumbles

Mumbles:
Oli Knight: Drums
Jacob Nicholas: Vocals, guitars, bass, keys, viola, saxophone, drum machines, samples, percussion, field recordings, programming, mixing
Tristan O’Leary: Vocals, clarinet, bass clarinet, recorder

With:
Porridge: Vocals (1, 7, 8, 12)
Will Young: Trumpet (1, 4, 7, 9, 12), vocals (7)
Liam Goodrum-Bell: Vocals (12), additional guitar (5)
Clare Myerscough: Vocals (5), violin (2, 5)
Alessia Lee: Vocals (1)
Tim West: Bass (1)

Produced by Jacob Nicholas/Mumbles
Mastered by Greg Saunier

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about

Mumbles Manchester, UK

inhalercore, baroque bunk, labourwave, mess

jacob (they/them)
tristan (he/him)
oli (he him)

and you if you want, get in touch

good luck have fun do yr best
... more

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